The Fruits of Practice Sound Like This: Sidiki Dembele

Yesterday I had the honor of talking with Sidiki Dembele and his wife, Vivian who helped translating some more difficult concepts (thanks, Sidiki and Vivian!).

Sidiki is a fantastic musician from Abidjan, Ivory Coast in West Africa and now living in Manchester, UK. He plays many instruments (ngoni, balafon, kora…), but his main instrument is the djembe. He overcame some serious hardships and put in an amazing amount of time practicing, and it shows.

Cover Design for “The Practice of Practice”

Practice safe design: Use a concept.
~ Petrula Vrontikis

Well, after a good deal of thought and a couple years of writing on this book, the cover design is finally in.

The Fruits of Practice Sound Like This: Max Roach 5-Tet “Freedom Day”

Wow. I’ve always been a fan of Max Roach as soon as I first heard him, but this is some of the best playing I’ve heard, not only from Mr. Roach, but from everybody in this quintet. Eddie Kahn, after flying through some nimble-fingered walking bass delivers one of the most interesting upright bass solos I’ve heard in a while, and the way he locks in with Max Roach on drums is as tight as the bond of close friendship. Abbey Lincoln recently passed away, but her gorgeous contra-alto voice lives on powerfully in this music. Clifford Jordan’s fat tone on the tenor; Coleridge Perkins (I think) and his artful comping on piano, accentuating hits with Max Roach, who kills that drum set in the tastiest way: clean, and with total respect and communication with the other musicians, and even at these speeds is so relaxed and easy-sounding. Wheeew! This is great stuff. This is what practice sounds like.